Part 14 in the Street Film series.

"Street Film: Part One" is a metaphor for modern post-industrial life.

Time-lapse imagery, an Omega watch, a cigarette, single frames, the human hand, personal writings, a soprano saxophone in images and sound, a mirrored self-portrait in motion with the camera, Street Film Part 17 feels like a summary of everything Fulton in three minutes.

The final part in the core Street Film series.

A cascading tapestry of sight and sound, rejecting nothing, clinging to nothing, saturating and ultimately defeating the discriminating mind, until unstructured primary space begins to unfold within the viewer.

The Street Film series is one of Fulton’s greatest experimental undertakings, challenging viewers to look beyond their preconceptions of filmmaking’s basic tools for conveying time and perceiving image. “Street Film 10 and 5” doesn’t resemble “Street Film 10” or “Street Film 5” (which was used for Street Film Part Zero Reel 5)

“Street Film 10 and 5” doesn’t resemble “Street Film 10” or “Street Film 5” (which was used for Street Film Part Zero Reel 5)

Documentary about the struggle of being an Asian actor in America.

Counter to the popular image of Erik XIV as the mad king Strindberg paints him as an intelligent but weak king, brought down by his insecurities.